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| − | * <span class="h-cite"><cite class="u-url p-name">[http://www.newyorker.com/culture/culture-desk/lou-reeds-archive-coming-to-the-new-york-public-library Lou Reed's archive coming to the New York Public Library]</cite> - (<span class="h-card p-author">Sarah Larson</span>, [[New Yorker]], <time class="dt-published">[[2017-061|2017-03-02</time>)</span> | + | * <span class="h-cite"><cite class="u-url p-name">[http://www.newyorker.com/culture/culture-desk/lou-reeds-archive-coming-to-the-new-york-public-library Lou Reed's archive coming to the New York Public Library]</cite> - (<span class="h-card p-author">Sarah Larson</span>, [[New Yorker]], <time class="dt-published">[[2017-061|2017-03-02]]</time>)</span> |
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Version du 3 mars 2017 à 07:56
<article class="h-entry">
Octidi
18
Floréal
CCXXXII
« Il n'est pas admissible que la pensée soit aux ordres de l'argent »
— André Breton.
datetime
vendredi
Saint Guénolé
h-cite
Le beaucoup savoir apporte l'occasion de plus douter.
<footer>(, Essais, Livre II, )</footer>
archive 100DaysOfPhotos
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<figcaption>The Lou Reed Collection comprises around three hundred linear feet of paper records, electronic records, and photographs; some thirty-six hundred audio recordings; and some thirteen hundred video recordings. Photography de
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