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American record producer (1933–2024)
This article is about the American record producer. For other people named Quincy Jones, see Quincy Jones (disambiguation).
Jones came to prominence in the 1950s as a jazz arranger and conductor before producing pop hit records for Lesley Gore in the early 1960s (including "It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie. Jones produced three of the most successful albums by pop star Michael Jackson: Off the Wall (1979), Thriller (1982), and Bad (1987). In 1985, Jones produced and conducted the charity song "We Are the World", which raised funds for victims of famine in Ethiopia.[3]
Quincy Delight Jones Jr. was born in the South Side of Chicago on March 14, 1933, the elder of two sons to Sara Frances (née Wells; 1904–1999[4]), a bank officer and apartment complex manager,[5] and Quincy Delight Jones (1895–1971), a semi-professional baseball player and carpenter from Charleston, South Carolina. Quincy Jr.'s paternal grandmother was an ex-slave from Louisville,[5] and he later discovered that his paternal grandfather was Welsh.[6][7]
Jones said, "He had a baby with my great-grandmother [a slave], and my grandmother was born there [on a plantation in Kentucky]. We traced this all the way back to the Laniers, the same family as Tennessee Williams."[5] Learning that the Lanier immigrant ancestors were French Huguenots who had court musicians among their ancestors, Jones attributed some of his musicianship to them.[5]
For the 2006 PBS television program African American Lives, Jones had his DNA tested, and genealogists researched his family history again. His DNA revealed he is mostly African, but also has 34% European ancestry on both sides of his family. Research showed that he has English, French, Italian, and Welsh ancestry through his father. His mother's side is of West and Central African descent, specifically the Tikar people of Cameroon.[8] His mother also had European ancestry, including Lanier male ancestors who fought for the Confederacy, making him eligible for membership in the Sons of Confederate Veterans. Among his ancestors is Elizabeth Washington Lewis, a sister of president George Washington.[9]
Jones's family moved to Chicago during the Great Migration. Jones had a younger brother, Lloyd, who was an engineer for the Seattle television station KOMO-TV until his death in 1998. Jones was introduced to music by his mother, who always sang religious songs, and next-door neighbor Lucy Jackson. When Jones was five or six, Jackson played stride piano next door, and he would listen through the walls. Jackson recalled that after he heard her one-day, she could not get him off her piano.[10]
When Jones was young, his mother had a schizophrenic breakdown and was sent to a mental institution.[5][11] His father divorced her and married Elvera Jones, who already had three children of her own: Waymond, Theresa, and Katherine.[11] Elvera and Quincy Sr. later had three children together: Jeanette, Margie, and Richard.[11][12] The family moved to Bremerton, Washington, in 1943. Jones's father took a wartime job at the Puget Sound Naval Shipyard.[11]
After the war, the family moved to Seattle, where Jones attended Garfield High School and developed his skills as a trumpeter and arranger.[5] His classmates included Charles Taylor, who played saxophone and whose mother, Evelyn Bundy, was one of Seattle's first society jazz bandleaders. Jones and Taylor began playing music together,[11] and at the age of fourteen, they played with a National Reserve band. Jones said he acquired more experience with music growing up in a smaller city due to the lack of competition.[5]
Jones cited Ray Charles as an early inspiration for his own music career, noting that Charles overcame his blindness to achieve his musical goals. Jones credited his father's sturdy work ethic with giving him the means to proceed, and his loving nature with holding the family together. Jones cited his father's rhyming motto: "Once a task is just begun, never leave until it's done. Be the labor great or small, do it well or not at all."[11]
In 1953, at age 20, Jones traveled with jazz bandleader Lionel Hampton for a European tour of the Hampton orchestra. He said the tour changed his view of racism in the United States, "It gave you some sense of perspective on past, present, and future. It took the myopic conflict between just black and white in the United States and put it on another level because you saw the turmoil between the Armenians and the Turks, and the Cypriots and the Greeks, and the Swedes and the Danes, and the Koreans and the Japanese. Everybody had these hassles, and you saw it was a basic part of human nature, these conflicts. It opened my soul; it opened my mind.[5]
In early 1956, Jones accepted a temporary job at CBS's Stage Show hosted by Jimmy and Tommy Dorsey that was broadcast live from Studio 50 in New York City (known today as the Ed Sullivan Theater). On January 28, February 4, 11 and 18, as well as on March 17 and 24, Jones played second trumpet in the studio band that supported 21-year-old Elvis Presley in his first six television appearances. Presley sang "Heartbreak Hotel", which became his first No. 1 record and the Billboard magazine Pop Record of the year. Soon after, as a trumpeter and musical director for Dizzy Gillespie, Jones went on tour of the Middle East and South America sponsored by the United States Information Agency. After returning, he signed a contract with ABC-Paramount and started his recording career as the leader of his band. In 1957, he moved to Paris, where he studied composition and theory with Nadia Boulanger and Olivier Messiaen and performed at the Paris Olympia. He became music director at Barclay, a French record company and the licensee for Mercury in France.[citation needed]
In the 1950s, Jones toured Europe with several jazz orchestras. As musical director of Harold Arlen's jazz musical Free and Easy, he took to the road again. With musicians from the Arlen show, he formed his big band, The Jones Boys, with eighteen musicians. The band included double bass player Eddie Jones and trumpeter Reunald Jones. None of the three were related. The band toured North America and Europe, and the concerts met enthusiastic audiences and sparkling reviews, but the earnings failed to support a band of this size. Poor budget planning resulted in an economic disaster. The band dissolved, leaving Jones in a financial crisis.[citation needed] "We had the best jazz band on the planet, and yet we were literally starving. That's when I discovered that there was music, and there was the music business. If I were to survive, I would have to learn the difference between the two."[15]Irving Green, head of Mercury, helped Jones with a personal loan[16] and a job as musical director of the company's New York division. He worked with Doug Moody, founder of Mystic Records.
Quincy Jones first worked with Frank Sinatra in 1958 when invited by Princess Grace to arrange a benefit concert at the Monaco Sporting Club.[17] Six years later, Sinatra hired him to arrange and conduct Sinatra's second album with Count Basie, It Might as Well Be Swing (1964). Jones conducted and arranged Sinatra's live album with the Basie Band, Sinatra at the Sands (1966).[18] Jones was also the arranger/conductor when Sinatra, Sammy Davis Jr., Dean Martin, and Johnny Carson performed with the Basie orchestra in June 1965 in St. Louis, Missouri, in a benefit for Dismas House. The fund-raiser was broadcast to movie theaters around the country and eventually released on VHS.[19] Later that year, Jones was the arranger/conductor when Sinatra and Basie appeared on The Hollywood Palace TV show on October 16, 1965.[20] Nineteen years later, Sinatra and Jones teamed up for 1984's L.A. Is My Lady.[21] Jones said,
Frank Sinatra took me to a whole new planet. I worked with him until he passed away in '98. He left me his ring. I never take it off. Now, when I go to Sicily, I don't need a passport. I just flash my ring.[22]
1961–1977: Breakthrough and acclaim
The logo for Quincy Jones Productions
In 1961, Jones was promoted and became the vice-president of Mercury, the first African American to hold the position. In the same year, at the invitation of director Sidney Lumet, he composed music for The Pawnbroker (1964). It was the first of his nearly 40 major motion picture scores. Following the success of The Pawnbroker, Jones left Mercury and moved to Los Angeles. After composing film scores for Mirage and The Slender Thread in 1965, he was in constant demand as a composer.[citation needed]
Jones produced all four million-selling singles for Lesley Gore during the early and mid-sixties, including "It's My Party" (UK No. 8; US No. 1), its sequel "Judy's Turn to Cry" (US No. 5), "She's a Fool" (also a US No. 5) in 1963, and "You Don't Own Me" (US No. 2 for four weeks in 1964). He continued to produce for Gore until 1966, including the Greenwich/Barry hits "Look of Love" (US No. 27 in 1965) and "Maybe I Know" (UK No. 20; US No. 14 in 1964).[citation needed] In 1975, Jones founded Qwest Productions, for which he arranged and produced successful albums by Frank Sinatra and others.
In 1978, he produced the soundtrack for The Wiz, the musical adaptation of The Wizard of Oz, which starred Michael Jackson and Diana Ross. In 1982, he produced Jackson's Thriller, the bestselling album in the history of the music industry.[24]
While working on the film The Wiz, Michael Jackson asked Jones to recommend some producers for his upcoming solo album. Jones offered some names but eventually offered to produce the record himself. Jackson accepted and the resulting record, Off the Wall, sold about 20 million copies. This made Jones the most powerful record producer in the industry at that time. Jones and Jackson's next collaboration, Thriller, sold 65 million copies and became the highest-selling album of all time.[25] The rise of MTV and the advent of music videos as promotional tools also contributed to Thriller's sales. Jones worked on Jackson's album Bad, which sold 45 million copies, and was the last time they worked with each other. Audio interviews with Jones are included in the 2001 special editions of Off the Wall, Thriller, and Bad.[citation needed]
After the 1985 American Music Awards ceremony, Jones used his influence to draw most of the major American recording artists of the day into a studio to record the song "We Are the World" to raise money for the victims of famine in Ethiopia. When people marveled at his ability to make the collaboration work, Jones explained that he had taped a sign on the entrance reading "Check Your Ego at the Door". He was also quoted as saying, "We don't want to make a hunger record in tuxedos",[29] requiring all participants to wear casual clothing in the studio. In 1986, Jones started off Qwest Entertainment to produce theatrical feature films, through Qwest Film and Television. He launched a home video label, Qwest Home Video, in order to manage the home video titles made by the studio. Qwest Entertainment continued to operate their pre-existing subsidiaries like Qwest Records, Quincy Jones Productions and Qwest Music Publishing.[30]
1990–2024: Established career
In 1990, Quincy Jones Productions joined with Time Warner to create Quincy Jones Entertainment (QJE).[28] The company signed a 10-picture deal with Warner Bros. and a two-series deal with NBC Productions, now Universal Television. The television show The Fresh Prince of Bel-Air was completed in 1990, but producers of In the House (from UPN) rejected its early concept stages. Jones produced the successful The Fresh Prince of Bel-Air (discovering Will Smith), UPN's In the House, First-Run Syndication's The Jenny Jones Show (in association with Telepictures Productions, 1994–1997 only) and FOX's Madtv – which ran for 14 seasons.[31] In the early 1990s, he started a huge, ongoing project called "The Evolution of Black Music". QJE started a weekly talk show with Jones's friend, Reverend Jesse Jackson, as the host.[32]
In 1993, Jones collaborated with David Salzman to produce the concert An American Reunion, a celebration of Bill Clinton's inauguration as President of the United States. During the same year, he and Salzman renamed his company to Quincy Jones/David Salzman Entertainment.[citation needed] In 2001, Jones published his autobiography Q: The Autobiography of Quincy Jones. In a 2002 interview, when asked if he would work with Jones again, Michael Jackson suggested he might. But in 2007, when Jones was asked by NME, he said: "Man, please! We already did that. I have talked to him about working with him again but I've got too much to do. I've got 900 products, I'm 74 years old."[35] Following Jackson's death on June 25, 2009, Jones said, "I am absolutely devastated at this tragic and unexpected news. For Michael to be taken away from us so suddenly at such a young age, I just don't have the words. Divinity brought our souls together on The Wiz and allowed us to do what we were able to throughout the '80s. To this day, the music we created together on Off the Wall, Thriller and Bad is played in every corner of the world, and the reason for that is because he had it all ... talent, grace, professionalism, and dedication. He was the consummate entertainer, and his contributions and legacy will be felt upon the world forever. I've lost my little brother today, and part of my soul has gone with him.[36]
In July 2007, he partnered with Wizzard Media to start the Quincy Jones Video Podcast.[39] In each episode, he shares his knowledge and experience in the music industry. The first episode features him in the studio producing "I Knew I Loved You" for Celine Dion. This is included on the Ennio Morricone tribute album We All Love Ennio Morricone.[citation needed] Jones helped produce Anita Hall's 2009 album Send Love. In 2013, he produced Emily Bear's album Diversity. After that, he produced albums for Grace, Justin Kauflin, Alfredo Rodríguez, Andreas Varady, and Nikki Yanofsky. He also became a mentor to Jacob Collier.[citation needed] In 2010, Jones, along with brand strategist Chris Vance, co-founded Playground Sessions, a NY City-based developer of subscription software that teaches people to play the piano using interactive videos.[40] Pianists Harry Connick Jr. and David Sides are among the company's video instructors. Jones worked with Vance and Sides to develop the video lessons and incorporate techniques to modernize the instruction format.[41]
In February 2014, Jones appeared in Keep on Keepin' On, a documentary about his friend, jazz trumpeter and flugelhorn player Clark Terry. In the film, Terry introduces Jones to his protégé Justin Kauflin, whom Jones then signs to his band and label. In July 2014, Jones starred in a documentary film called The Distortion of Sound.[42] He was featured on Jacob Collier's YouTube cover of Michael Jackson's "PYT (Pretty Young Thing)".[citation needed] On February 28, 2016, he and Pharrell Williams presented Ennio Morricone with the Oscar for best film score.[43] In August 2016, he and his music were featured at the BBC Proms in the Royal Albert Hall, London.[44] In 2017, Jones and French producer Reza Ackbaraly started Qwest TV, the world's first subscription video-on-demand (SVOD) service for jazz and eclectic music from around the world. The platform features a handpicked selection of ad-free concerts, interviews, documentaries, and exclusive, original content, all in HD or 4K.[citation needed]
Jones's social activism began in the 1960s with his support of Martin Luther King Jr. Jones was one of the founders of the Institute for Black American Music (IBAM), whose events aim to raise enough funds for the creation of a national library of African-American art and music. Jones was also one of the founders of the Black Arts Festival in his hometown of Chicago. In the 1970s, Jones formed the Quincy Jones Workshops. Meeting at the Los Angeles Landmark Variety Arts Center, the workshops educated and honed the skills of inner-city youth in musicianship, acting, and songwriting. Among its alumni were Alton McClain, who had a hit song with Alton McClain and Destiny, and Mark Wilkins, who co-wrote the hit song "Havin' a Love Attack" with Mandrill and became National Promotion Director for Mystic Records.[47]
For many years, Jones worked closely with Bono of U2 on a number of philanthropic causes. He was the founder of the Quincy Jones Listen Up Foundation,[3] a nonprofit organization that built more than 100 homes in South Africa and which aims to connect youths with technology, education, culture, and music.[48] One of the organization's programs is an intercultural exchange between underprivileged youths from Los Angeles and South Africa.[49]
In 2004, Jones helped launch the We Are the Future (WAF) project, which gives children in poor and conflict-ridden areas a chance to live their childhoods and develop a sense of hope. The program is the result of a strategic partnership between the Global Forum, the Quincy Jones Listen Up Foundation, and Hani Masri, with the support of the World Bank, UN agencies, and major companies. The project was launched with a concert in Rome, Italy, in front of an audience of half a million people.[50]
Jones supported a number of other charities, including the NAACP, GLAAD, Peace Games, AmfAR, and the Maybach Foundation.[51] He served on the advisory board of HealthCorps. In July 2007, he announced his endorsement of Hillary Clinton for president. With the election of Barack Obama, Jones said that his next conversation "with President Obama [will be] to beg for a secretary of arts."[52] This prompted the circulation of an internet petition, asking Obama to create such a Cabinet-level position in his administration.[53][54]
In 2001, Jones became an honorary member of the board of directors of the Jazz Foundation of America. He worked with the foundation to save the homes and lives of America's elderly jazz and blues musicians, including those who survived Hurricane Katrina.[55] Jones was a spokesperson for the Global Down Syndrome Foundation,[56] co-founded by his friend John Sie,[57] which annually awards the Quincy Jones Exceptional Advocacy Award.[58] He was also involved in the Linda Crnic Institute, improving the lives of people with down syndrome through advanced biomedical research.[59]
Personal life
Marriages and family
Jones was married three times and had seven children with five different women.[11][60] He was married to Jeri Caldwell from 1957 to 1966, and they had a daughter named Jolie. He had a brief affair with Carol Reynolds, and they had a daughter named Rachel. He was later married to Swedish actress Ulla Andersson from 1967 to 1974, and they had a daughter named Martina and a son named Quincy, who also became a music producer.[61][62][63]
The day after his divorce from Andersson, Jones married American actress Peggy Lipton. They had two daughters, Kidada, who was born before they were married, and Rashida, both of whom became actresses. Jones and Lipton divorced in 1990.[64][65][66] He later dated and lived with German actress Nastassja Kinski from 1991 to 1995, and they had a daughter named Kenya, who became a fashion model. In an interview with New York Magazine Jones stated that he dated Ivanka Trump.[67]
In 1994, rapper Tupac Shakur criticized Jones for having relationships with white women, prompting Jones's daughter Rashida to pen a scathing open letter in response, which was published in The Source.[68] Jones's daughter Kidada developed a romantic relationship with Shakur and had been living with him for four months at the time of his death, and they were engaged.[68]
Interests and beliefs
Jones never learned to drive, citing his involvement in a car crash at age 14 as the reason. During this time, he and a group of friends were heading to a rodeo in Yakima when a bus hit them. He said everybody in the car died except him—the scene was gruesome and left him traumatized. He attempted to take driving lessons a few years later but he "just couldn't do it" and never drove again.[69][70]
Jones in May 2014
Jones revealed that Ray Charles introduced him to heroin at the age of 15, although he stopped using after five months.[71] He was a believer in astrology. In regard to religion, he stated in February 2018 that he believed in a God that opposes the love of money but dismisses the notion of an afterlife. He held a negative opinion of the Catholic Church, believing it is built upon the notions of money and "fear, smoke, and murder".[72]
Jones claimed to have knowledge of the truth of the Kennedy assassination, stating his belief that mobster Sam Giancana was responsible, as well as outing sexual relationships Marlon Brando had with James Baldwin, Richard Pryor, and Marvin Gaye.[72] In 1974, Jones developed a life-threatening brain aneurysm, leading to a decision to reduce his workload to spend time with his friends and family.[73] Since his family and friends believed Jones's life was coming to an end, they started to plan a memorial service for him. He attended his own service with his neurologist by his side, in case the excitement overwhelmed him. Some of the entertainers at his service were Richard Pryor, Marvin Gaye, Sarah Vaughan, and Sidney Poitier.[74]
Health and legal issues
He had two brain surgeries, and after the second was warned to never play the trumpet again, because "if he blew a trumpet in the ways that a trumpet player must, the clip would come free and he would die". He ignored that advice, went on tour in Japan, and one night after playing trumpet had a pain in his head. Doctors said the clip in his brain had nearly come loose, as they'd warned, and Jones never played trumpet again.[75]
In October 2013, the BBC and The Hollywood Reporter said Jones planned to sue Michael Jackson's estate for $10 million. Jones said that MJJ Productions, a song company managed by Jackson's estate and Sony Music Entertainment, improperly re-edited songs to deprive him of royalties and production fees and breached an agreement giving him the right to remix master recordings for albums released after Jackson's death.[76] The songs Jones produced for Jackson were used in the film This Is It. Jones was reported to be filing the suits against the Michael Jackson Cirque du Soleil shows and the 25th-anniversary edition of the Bad album.[77] He believed he should have received a producer credit in the film.[76][78][79]
Death and legacy
On November 3, 2024, Jones died at his home in the Bel Air neighborhood of Los Angeles at the age of 91.[80][81][82] His publicist confirmed his death. The cause of death was not immediately disclosed.[83]
Brazilian musicians Simone[84], Ivan Lins[85] and Milton Nascimento and percussionist Paulinho da Costa[86] were close friends and partners in Jones's most recent works. The famous Japanese composer Mamoru Fujisawa, known as 'Joe Hisaishi,' formulated his last name as an alias inspired by American musician and composer Quincy Jones; 'Hisaishi' being the Kanji equivalent of Quincy.[citation needed]
In 1968, Jones became the first African American to be nominated for an Academy Award for Best Original Song for "The Eyes of Love" from the film Banning. Jones was also nominated for an Academy Award for Best Original Score for his work on the 1967 film In Cold Blood, making him the first African American to be nominated twice in the same year. Jones became the first African American to be the musical director and conductor of the Academy Awards in 1971. He was the first African American to receive the academy's Jean Hersholt Humanitarian Award in 1995. He is tied with sound designer Willie D. Burton as the second most Oscar-nominated African American, with seven nominations each. Jones was inducted into the Rock & Roll Hall of Fame in the Ahmet Ertegun Award category in 2013.[87]
Honorary Doctorate of Music from Berklee College of Music (1983)[88]
^"Quincy Jones on his Welsh roots". BBC. July 4, 2009. Retrieved November 17, 2018. It's a very special occasion for me because ... [it has been] discovered that my father was half-Welsh
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