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	<id>https://ducamp.me/index.php?action=history&amp;feed=atom&amp;title=Viviane_Chassot</id>
	<title>Viviane Chassot - Historique des versions</title>
	<link rel="self" type="application/atom+xml" href="https://ducamp.me/index.php?action=history&amp;feed=atom&amp;title=Viviane_Chassot"/>
	<link rel="alternate" type="text/html" href="https://ducamp.me/index.php?title=Viviane_Chassot&amp;action=history"/>
	<updated>2026-05-13T14:26:04Z</updated>
	<subtitle>Historique des révisions pour cette page sur le wiki</subtitle>
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	<entry>
		<id>https://ducamp.me/index.php?title=Viviane_Chassot&amp;diff=36374&amp;oldid=prev</id>
		<title>Xtof le 4 juillet 2022 à 02:45</title>
		<link rel="alternate" type="text/html" href="https://ducamp.me/index.php?title=Viviane_Chassot&amp;diff=36374&amp;oldid=prev"/>
		<updated>2022-07-04T02:45:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 4 juillet 2022 à 02:45&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Ligne 1 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 1 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Swiss accordionist Viviane Chassot has been one of the few players of her instrument to successfully build a career in the classical concert sphere.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;{{stub-fr}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Chassot was born in Zurich in 1979 and settled on the accordion as her instrument when she was 12, obsessed with the idea of playing Bach&amp;#039;s music (which she has not as of this writing yet recorded) on it. She attended the University of the Arts in Bern, Switzerland, studying accordion there with Teodoro Anzellotti. By 2004 she had won major prizes such as the Kranichstein Music Award in Germany, and she graduated in 2006 with an accordion performance degree. At that point, however, she experienced a crisis of confidence and set her instrument aside for a year. &amp;quot;Life began again in 2007,&amp;quot; she told the newspaper Der Sonntag, and within two years she had released her debut album, a set of Haydn piano sonatas, on Germany&amp;#039;s Genuin label.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Swiss &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;accordionist&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;Viviane Chassot has been one of the few players of her instrument to successfully build a career in the classical concert sphere.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;That was followed by an album of Rameau&amp;#039;s Pièces de clavecin in 2011 and New Horizons, a set of new works for accordion in 2014, both on Genuin. The latter album featured works by composers from the German-speaking sphere: Stefan Wirth, Heinz Holliger, Rudolf Kelterborn, Bernhard Lang, and Helena Winkelman. That album was nominated for the German Record Critics&amp;#039; Award. Chassot has been an energetic champion of contemporary music, also performing works by Beat Furrer, Michael Pelzel, Toshio Hosokawa, Roland Moser, Henri Dutilleux, Jörg Widmann, Friedrich Cerha, and Arman Gushchyan. Her 2016 album, Objets Trouvés, was a collaboration with zither player Martin Mallaun, and she has also performed and recorded with chamber groups and with dancers, including those of the Cincinnati Ballet, with whom she has performed at New York&amp;#039;s Guggenheim Museum.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Chassot was born in Zurich in 1979 and settled on the accordion as her instrument when she was 12, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&amp;#039;&lt;/ins&gt;obsessed with the idea of playing Bach&amp;#039;s music (which she has not as of this writing yet recorded) on it&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&amp;#039;&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;She attended the University of the Arts in Bern, Switzerland, studying accordion there with Teodoro Anzellotti.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By 2004 she had won major prizes such as the Kranichstein Music Award in Germany, and she graduated in 2006 with an accordion performance degree. At that point, however, she experienced a crisis of confidence and set her instrument aside for a year. &amp;quot;Life began again in 2007,&amp;quot; she told the newspaper Der Sonntag, and within two years she had released her debut album, a set of Haydn piano sonatas, on Germany&amp;#039;s Genuin label.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;That was followed by an album of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Rameau&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;&amp;#039;s Pièces de clavecin in 2011 and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;New Horizons&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, a set of new works for accordion in 2014, both on Genuin. The latter album featured works by composers from the German-speaking sphere: Stefan Wirth, Heinz Holliger, Rudolf Kelterborn, Bernhard Lang, and Helena Winkelman. That album was nominated for the German Record Critics&amp;#039; Award. Chassot has been an energetic champion of contemporary music, also performing works by Beat Furrer, Michael Pelzel, Toshio Hosokawa, Roland Moser, Henri Dutilleux, Jörg Widmann, Friedrich Cerha, and Arman Gushchyan. Her 2016 album, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Objets Trouvés&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, was a collaboration with zither player Martin Mallaun, and she has also performed and recorded with chamber groups and with dancers, including those of the Cincinnati Ballet, with whom she has performed at New York&amp;#039;s Guggenheim Museum.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Increasing critical attention led to Chassot&amp;#039;s signing by the Sony Classical label, becoming surely the only accordionist in the illustrious history of the label&amp;#039;s roster. She released her Sony debut, an album of Haydn keyboard concertos, with the Basel Chamber Orchestra, which she conducted from the keyboard. The album received strong critical acclaim even beyond German-language publications. Chassot is professor of accordion at the Basel Music Academy.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Increasing critical attention led to Chassot&amp;#039;s signing by the Sony Classical label, becoming surely the only accordionist in the illustrious history of the label&amp;#039;s roster. She released her Sony debut, an album of Haydn keyboard concertos, with the Basel Chamber Orchestra, which she conducted from the keyboard. The album received strong critical acclaim even beyond German-language publications. Chassot is professor of accordion at the Basel Music Academy.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;© James Manheim / &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;TiVo&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;© James Manheim /TiVo&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Xtof</name></author>
	</entry>
	<entry>
		<id>https://ducamp.me/index.php?title=Viviane_Chassot&amp;diff=36373&amp;oldid=prev</id>
		<title>Xtof le 4 juillet 2022 à 02:26</title>
		<link rel="alternate" type="text/html" href="https://ducamp.me/index.php?title=Viviane_Chassot&amp;diff=36373&amp;oldid=prev"/>
		<updated>2022-07-04T02:26:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;fr&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Version précédente&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Version du 4 juillet 2022 à 02:26&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Ligne 1 :&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Ligne 1 :&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;{{wikipedia}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The Swiss accordionist Viviane Chassot has been one of the few players of her instrument to successfully build a career in the classical concert sphere.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Chassot was born in Zurich in 1979 and settled on the accordion as her instrument when she was 12, obsessed with the idea of playing Bach&amp;#039;s music (which she has not as of this writing yet recorded) on it. She attended the University of the Arts in Bern, Switzerland, studying accordion there with Teodoro Anzellotti. By 2004 she had won major prizes such as the Kranichstein Music Award in Germany, and she graduated in 2006 with an accordion performance degree. At that point, however, she experienced a crisis of confidence and set her instrument aside for a year. &amp;quot;Life began again in 2007,&amp;quot; she told the newspaper Der Sonntag, and within two years she had released her debut album, a set of Haydn piano sonatas, on Germany&amp;#039;s Genuin label.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;That was followed by an album of Rameau&amp;#039;s Pièces de clavecin in 2011 and New Horizons, a set of new works for accordion in 2014, both on Genuin. The latter album featured works by composers from the German-speaking sphere: Stefan Wirth, Heinz Holliger, Rudolf Kelterborn, Bernhard Lang, and Helena Winkelman. That album was nominated for the German Record Critics&amp;#039; Award. Chassot has been an energetic champion of contemporary music, also performing works by Beat Furrer, Michael Pelzel, Toshio Hosokawa, Roland Moser, Henri Dutilleux, Jörg Widmann, Friedrich Cerha, and Arman Gushchyan. Her 2016 album, Objets Trouvés, was a collaboration with zither player Martin Mallaun, and she has also performed and recorded with chamber groups and with dancers, including those of the Cincinnati Ballet, with whom she has performed at New York&amp;#039;s Guggenheim Museum.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Increasing critical attention led to Chassot&amp;#039;s signing by the Sony Classical label, becoming surely the only accordionist in the illustrious history of the label&amp;#039;s roster. She released her Sony debut, an album of Haydn keyboard concertos, with the Basel Chamber Orchestra, which she conducted from the keyboard. The album received strong critical acclaim even beyond German-language publications. Chassot is professor of accordion at the Basel Music Academy.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;© James Manheim / [[TiVo]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Xtof</name></author>
	</entry>
	<entry>
		<id>https://ducamp.me/index.php?title=Viviane_Chassot&amp;diff=36370&amp;oldid=prev</id>
		<title>Xtof : Page créée avec « {{wikipedia}} »</title>
		<link rel="alternate" type="text/html" href="https://ducamp.me/index.php?title=Viviane_Chassot&amp;diff=36370&amp;oldid=prev"/>
		<updated>2022-07-04T01:23:28Z</updated>

		<summary type="html">&lt;p&gt;Page créée avec « {{wikipedia}} »&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Nouvelle page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{wikipedia}}&lt;/div&gt;</summary>
		<author><name>Xtof</name></author>
	</entry>
</feed>