Bill Frisell

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Made in Blue Note

2022-11-9 Open Jazz - Alex Dutilh : Bill Frisell, Made in Blue Note

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Source https://www.billfrisell.com/biography

La carrière de Bill Frisell en tant que guitariste et compositeur s'étend sur plus de 40 ans et de nombreux enregistrements célèbres, dont le catalogue a été cité par Downbeat comme "la meilleure production enregistrée de la décennie."

Sorti en mars 18, le dernier album de Frisell pour OKeh/Sony est un album solo intitulé Music IS - "Pris dans son ensemble, l'album résume magnifiquement la profondeur et la gamme de Frisell dans toute sa gloire méditative" - Chicago Reader.  Il a été enregistré en août 2017 au studio Flora Recording and Playback de Tucker Martine à Portland, Oregon, et produit par Lee Townsend, collaborateur de longue date. Toutes les compositions de Music IS ont été écrites par Frisell, certaines toutes nouvelles - Change in the Air, Thankful, What Do You Want, Miss You et Go Happy Lucky - d'autres étant des adaptations en solo de compositions originales désormais classiques qu'il avait déjà enregistrées, comme Ron Carter, Pretty Stars, Monica Jane et The Pioneers. In Line et Rambler sont issus des deux premiers albums ECM de Frisell. 

Le projet précédent de Frisell, When You Wish Upon a Star, nominé aux Grammy Awards et enregistré par OKeh/Sony, a vu le jour au Lincoln Center lors de sa nomination comme conservateur invité de la série Roots of Americana (septembre 13 - mai 15).  Il met en scène Frisell avec la chanteuse Petra Haden, Eyvind Kang (alto), Thomas Morgan (basse) et Rudy Royston (batterie) interprétant les arrangements et les interprétations de Frisell de la musique de films et de télévision.  Jazz Times a décrit le projet comme suit : "Les thèmes inoubliables sont la véritable attraction ici, reconfigurés avec ingéniosité, esprit et affection par Frisell et un groupe formidable".

"Frisell a eu beaucoup de pratique pour mettre un concept élevé dans un emballage humble. Longtemps salué comme l'un des guitaristes improvisateurs les plus distinctifs et originaux de notre époque, il a également acquis la réputation de faire ressortir les liens thématiques de sa musique... Ce n'est pas pour rien que le Jazz at Lincoln Center lui a confié la programmation d'une série intitulée Roots of Americana".  - New York Times

Reconnu comme l'un des 21 artistes américains les plus dynamiques et les plus productifs, Frisell a été nommé artiste inaugural Doris Duke en 2012.  Il est également bénéficiaire de subventions de United States Artists, Meet the Composer, entre autres.  En 2016, il a été bénéficiaire de la première commission de composition FreshGrass pour préserver et soutenir la musique innovante de la base.  Dès l'ouverture du San Francisco Jazz en 2013, il a été l'un de ses directeurs artistiques résidents.  Bill est également le sujet d'un nouveau film documentaire de la réalisatrice Emma Franz, intitulé Bill Frisell : A Portrait, qui examine en profondeur son processus créatif.

Bill Frisell
Frisell in 2021
Background information
Birth name	William Richard Frisell
Born	(1951-03-18) March 18, 1951 Baltimore, Maryland, U.S.
Genres	Jazz, jazz fusion, folk jazz, Americana, classical
Occupation(s)	Musician, composer, arranger
Instrument	Guitar
Discography	Discography
Years active	1978–present
Labels	ECM, Elektra, Nonesuch
Website	billfrisell.com

William Richard Frisell (born March 18, 1951) is an American jazz guitarist. He first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working relationship with composer and saxophonist John Zorn. He was also a longtime member of veteran drummer Paul Motian's groups from the early 1980s until Motian's death in 2011. Since the late 1990s, Frisell's output as a bandleader has also integrated prominent elements of folk, country, rock ‘n’ roll and Americana. He has six Grammy nominations and one win.

Biography

Early life and career

Frisell was born in Baltimore, Maryland, United States, but spent most of his youth in the Denver, Colorado area. He studied clarinet with Richard Joiner of the Denver Symphony Orchestra as a youth, but by his teens was more interested in guitar. He graduated from Denver East High School and went to the University of Northern Colorado to study music. At UNC, he took a class taught by guitarist Johnny Smith. However, Frisell later reported the class effectively became private lessons from Smith because the emphasis on music theory "was too much for everyone else—they didn't want to be learning scales and inversions."

His original guitar teacher in the Denver-Aurora metropolitan area was Dale Bruning, with whom Frisell released the 2000 duo album Reunion. After graduating from Northern Colorado, Frisell went to the Berklee College of Music in Boston, where he studied with Jon Damian and Jim Hall.

ECM Records years

Frisell's major break came when guitarist Pat Metheny was unable to make a recording session and recommended Frisell to Paul Motian, who was recording Psalm (1982) for ECM Records. Frisell became ECM's in-house guitar player through the 1980s and worked on several albums, including notably Jan Garbarek's 1982 Paths, Prints. Frisell's first release under his name was In Line (1983), which featured a solo guitar as well as duets with bassist Arild Andersen.

New York City era

In the 1980s, Frisell moved to Hoboken, New Jersey and was active in the New York jazz scene. He forged an early partnership with John Zorn—including as a member of avant-garde jazz band Naked City—and performed or recorded with many others. He also played in Paul Motian's trio, along with saxophonist Joe Lovano.

Frisell organized a regular working group in the mid-1980s consisting of Kermit Driscoll on bass, Joey Baron on drums, and Hank Roberts on cello (later reduced to a trio when Roberts left). For studio projects, this group was regularly joined by other musicians.

Seattle years

In 1988, Frisell left New York City and moved to Seattle, Washington. In the early 1990s Frisell made two of his best-reviewed albums: first, Have a Little Faith, an ambitious survey of Americana of all stripes, from Charles Ives and Aaron Copland (the entirety of Billy the Kid) to John Hiatt (the title song), Bob Dylan ("Just Like a Woman") and Madonna (a lengthy, psychedelic rock-tinged version of "Live to Tell"); and second, This Land, a complementary set of originals. During this time, he performed with many musicians, including up-and-coming performers such as Douglas September on the album 10 Bulls. He also branched out by performing soundtracks to silent films of Buster Keaton with his trio and contributed to Ryuichi Sakamoto's album Heartbeat.

In the mid-1990s, Frisell disbanded his trio. He continued the trend marked by Have a Little Faith by more explicitly incorporating elements of bluegrass and country music into his music. His friendship with Gary Larson led him to provide music for the TV version of The Far Side  (released on the album Quartet along with music written for Keaton's Convict 13 ). Since 2000, Frisell has lived on Bainbridge Island, Washington, near Seattle.

2000 to present

Frisell with the B3 Trio at Jazz Alley, Seattle in 2004

Several of Frisell's songs, including his recording of "Over the Rainbow" and "Coffaro's Theme," originally composed in 1995 for an Italian movie, La scuola, were featured in the film Finding Forrester in 2000.

In 1999 Frisell was commissioned by the Walker Art Center in Minneapolis, Minnesota, to compose Blues Dream, which he premiered on November 15, 1999. He later recorded the work for a 2001 release on Nonesuch. Also in 1999, he released The Sweetest Punch, which featured a seven-piece jazz ensemble reworking the tunes written and recorded by Elvis Costello and Burt Bacharach on Painted from Memory.

Between 2003 and 2005, Frisell acted as musical director for Century of Song, a series of concerts at the German Ruhrtriennale arts festival (produced by Lee Townsend). Frisell invited artists including Rickie Lee Jones, Elvis Costello, Petra Haden, Jenny Scheinman , Suzanne Vega, Arto Lindsay, Loudon Wainwright III, Vic Chesnutt, Van Dyke Parks, Buddy Miller, Ron Sexsmith and Chip Taylor to perform their favorite songs in new arrangements.

In 2003 Frisell's The Intercontinentals was nominated for a Grammy award; he won the 2005 Grammy Award for Best Contemporary Jazz Album for his album Unspeakable. His 2008 album History, Mystery was nominated for a 2009 Grammy award for Best Jazz Instrumental Album, Individual or Group. Frisell was also a judge for the sixth annual Independent Music Awards to support independent artists careers.

Frisell has united with Matt Chamberlain, Tucker Martine, and Lee Townsend in the Floratone band, and they released an album on Blue Note (2007) featuring guest performances of Viktor Krauss, Ron Miles and Eyvind Kang.

In 2008 Frisell performed as a featured guest on Earth's album The Bees Made Honey in the Lion's Skull. In 2009 Frisell featured in a duet rendition of Leonard Cohen's "Hallelujah" with singer-songwriter Sam Shrieve. The recording was released on Shrieve's debut album Bittersweet Lullabies.

In 2010 Frisell started working with the Savoy Jazz label and released Beautiful Dreamers in August 2010, then a second release of Sign of Life in April 2011. Also, on January 25, 2011, Frisell and Vinicius Cantuária released Lágrimas Mexicanas on the E1 label.

In June 2011, Frisell, Lee Townsend, and their frequent collaborator, Vinicius Cantuaria, participated in TEDx GoldenGateED's program, "Teaching Compassion" in Oakland, California. Frisell and Cantuaria performed separately, and Townsend assisted with the technical aspects of the event. In September 2011, Frisell released All We Are Saying, a full-length offering of his interpretations of John Lennon's music. Frisell's quintet includes violinist Jenny Scheinman, pedal steel and acoustic guitarist Greg Leisz, bassist Tony Scherr, and drummer Kenny Wollesen. In 2017, Frisell received an honorary doctorate of music from his alma mater, Berklee College of Music.

In 2021 a video was recorded at the Village Vanguard in New York and was published by Blue Note Records on YouTube.

Discography

Main article: Bill Frisell discography

Frisell performing in 2010 at the Moers Festival

Albums

Title	Year	Label
In Line	1983	ECM
Rambler	1985	ECM
Lookout for Hope	1988	ECM
Before We Were Born	1989	Nonesuch
Is That You?	1990	Nonesuch
Where in the World?	1991	Nonesuch
Have a Little Faith	1992	Nonesuch
This Land	1994	Nonesuch
Go West: Music for the Films of Buster Keaton	1995	Nonesuch
The High Sign/One Week: Music for the Films of Buster Keaton	1995	Nonesuch
Live	1995	Gramavision
Quartet	1996	Nonesuch
Nashville	1997	Nonesuch
Gone, Just Like a Train	1998	Nonesuch
Good Dog, Happy Man	1999	Nonesuch
The Sweetest Punch	1999	Decca
Ghost Town	2000	Nonesuch
Blues Dream	2001	Nonesuch
With Dave Holland and Elvin Jones	2001	Nonesuch
The Willies	2002	Nonesuch
The Intercontinentals	2003	Nonesuch
Unspeakable	2004	Nonesuch
Richter 858	2005	Songlines
East/West	2005	Nonesuch
Bill Frisell, Ron Carter, Paul Motian	2006	Nonesuch
History, Mystery	2008	Nonesuch
Disfarmer	2009	Nonesuch
Beautiful Dreamers	2010	Savoy
Sign of Life: Music for 858 Quartet	2011	Savoy
All We Are Saying	2011	Savoy
Silent Comedy	2013	Tzadik
Big Sur	2013	OKeh
Guitar in the Space Age!	2014	OKeh
When You Wish Upon a Star	2016	OKeh
Small Town	2017	ECM
Music IS	2018	OKeh
Epistrophy	2019	ECM
Harmony	2019	Blue Note
Valentine	2020	Blue Note
Four	2022	Blue Note
Orchestras	2024	Blue Note
Breaking the Shell	2024	Red Hook

External links

• Official website
• Bill Frisell at AllMusic
• short film portrait and interview on Bill Frisell and his work with ECM Records
• 2014 Bill Frisell Interview on Guitar.com Archived March 10, 2017, at the Wayback Machine