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Mark Murphy, né en 1932 dans l'état de New York et disparu en 2015, a passé sa vie entre NY City, Los Angeles, Londres et San Francisco. Il a enregistré une cinquantaine d'albums sous son nom pour plusieurs grands labels. C'est une des voix majeures du jazz vocal masculin, reconnu notamment pour son talent d'improvisateur - on dit de lui qu'il n'a jamais chanté une chanson deux fois pareil. Il a été nommé six fois aux Grammy awards.
Mark Howe Murphy (March 14, 1932 – October 22, 2015) was an American jazz singer based at various times in New York City, Los Angeles, London, and San Francisco. He recorded 51 albums under his own name during his lifetime and was principally known for his innovative vocal improvisations. He was the recipient of the 1996, 1997, 2000, and 2001 Down Beat magazine readers' jazz poll for Best Male Vocalist and was also nominated five times for the Grammy Award for Best Vocal Jazz Performance.[1] He wrote lyrics to the jazz tunes "Stolen Moments" and "Red Clay".
Early life
Born in Syracuse, New York, in 1932, Murphy was raised in a musical family,[2] his parents having met when his father was appointed director of the local Methodist Church choir. He grew up in the nearby small town of Fulton, New York,[3] where his grandmother and then his aunt were the church organists. Opera was also a presence in the Murphy home. He started piano lessons at the age of seven.[4]
Murphy graduated from Syracuse University in 1953, having majored in Music and Drama. While there he was spotted singing at the Embassy Club by Sammy Davis Jr, who invited him to perform a guest spot at his own gig shortly afterwards, and put him in touch with TV host Steve Allen.
The following year Murphy moved to New York City, taking part-time jobs as he looked for work as an actor and singer. He appeared in productions for the Gilbert and Sullivan Light Opera Company and a musical version for television of Casey at the Bat. He also twice took second place at Apollo Theatre amateur singing contests.
The first albums
Murphy was eventually introduced to record producer Milt Gabler, who was an artist and repertoire director (A&R) for Decca. His resulting debut recording was Meet Mark Murphy (1956),[3] followed closely by Let Yourself Go (1957).
In 1963, Murphy moved to London, England, where he quickly found acceptance and played frequently at Ronnie Scott's Club, as well as making regular appearances on BBC Radio. He recorded three more albums in London, and one in Germany that is among his best - Midnight Mood (1968). From London he made frequent trips to Holland, where he worked on Dutch radio, mainly with producer Joop de Roo. Between 1964 and 1972, he acted in a number of drama productions for TV and radio,[1] and appeared as a singer in the 1967 British comedy film Just Like a Woman. Meanwhile, he continued to cultivate his jazz audiences in Europe, singing in clubs and on radio. It was in London that Murphy, who was gay, met his long-time partner Eddie O'Sullivan.[1]
The Muse years
He returned to the States in 1972 and began recording an average of an album per year for more than 14 years on the Muse label.[2] These included the Grammy-nominated albums Satisfaction Guaranteed, Bop for Kerouac and Nat's Choice: Nat King Cole Songbook Vol. II. Murphy's other highly regarded Muse recordings include Bridging a Gap (featuring Ron Carter, Jimmy Madison, Randy Brecker and Michael Brecker), Mark Murphy Sings (again featuring the Brecker Brothers along with David Sanborn),Living Room, Beauty And the Beast and Stolen Moments. Bop for Kerouac (1981), with Richie Cole and Bill Mays, was a result of Murphy's enthusiasm for the writing of Jack Kerouac, whom Murphy regarded as a soul-mate. It included readings from the author's books On the Road and The Subterraneans. Murphy followed it up with Kerouac Then And Now, released in 1989. Having been a fan of Brazilian music since the late 1950s, in 1984 together with the band Viva Brasil he recorded the album Brazil Song (Cancões do Brasil), which featured work by Antonio Carlos Jobim and Milton Nascimento. He wrote lyrics for the title track, by Oliver Nelson, of his Stolen Moments album, and it quickly became a radio favourite, remaining one of his most popular recordings.
New directions
In 1987, Murphy continued his explorations of Brazilian music by recording Night Mood, an album of songs by composer Ivan Lins, followed by the Grammy-nominated September Ballads - both on Milestone Records.
In the UK, Murphy's recorded output gained a new lease of life in the mid-Eighties during the acid jazz dance craze. DJ's, principally Gilles Peterson, played his bop and latin recordings at club nights, creating a new generation of Mark Murphy fans. He continued to work extensively in Europe, recording in Germany, Holland, Austria, England, Italy, France, Sweden, Denmark and Slovenia, often as a guest artist. Murphy also appeared on UFO's last two releases (for Polydor Records), in which he wrote and rapped lyrics on songs composed with the group. This collaboration opened up further new audiences in the acid-jazz and hip-hop genres, demonstrating jazz's timelessness while transcending generations and styles.
In August 1997, BMG/RCA Victor released Song for the Geese, for which he received his fifth and final Grammy nomination. In that same month, the 32 Records label released a double CD anthology Stolen and Other Moments, which features some of his recordings for the now defunct Muse label. The CD features material from the two "Kerouac" albums and a selection of "the best of Mark Murphy". It was followed by three further anthologies.
After Muse boss Joe Fields sold the label and set up HighNote Records in its place, Murphy recorded five more albums for the new label, including Some Time Ago (2000), Links (2001) and Memories of You (2003).
Murphy's release Once to Every Heart (2005) on Verve, features sensuous ballads, where the listener can hear him singing at the top of his form, with an orchestra arranged by Nan Schwartz. It was one of the best-selling albums of Murphy's career. In 2007 Verve released Love is What Stays. Both albums were produced by German trumpeter Till Brönner.
Murphy also collaborated with Tenth & Parker, a modern UK electronica/acid jazz group on their Twenty:Twelve (2001) album; plus the Five Corners Quintet, a modern Finnish jazz band, appearing on their albums Chasin' the Jazz Gone By (2005) and Hot Corner (2008).
In 2010, he released the independently produced CD, Never Let Me Go, accompanied by pianist Misha Piatigorsky, bassist Danton Boller and drummer Chris Wabich. The CD contains all songs he selected, mostly ballads, and was the first time he recorded Bill Evans' "Turn Out The Stars".
Murphy also participated as a guest on The Royal Bopsters Project by Amy London, Darmon Meader, Dylan Pramuk, and Holli Ross, recorded in 2012 and released in 2015 by Motema Music. His final recording was a limited edition EP/MP3, A Beautiful Friendship: Remembering Shirley Horn on Gearbox Records, released in 2013.
Murphy continued to tour internationally into his 80s, appearing at festivals and concerts, in jazz clubs and on television programs, throughout the U.S., Europe, Australia and Japan and elsewhere. John Bush at AllMusic.com described Murphy as "a major name in vocal jazz."[2] A longtime resident of the Lillian Booth Actors Home in Englewood, New Jersey, he died there on October 22, 2015.[6][7]
1975 "Out of This World"/"Get Happy (with Greetje Kauffeld)"/"Come Rain or Come Shine"/"Let's Fall in Love (with Greetje Kauffeld)"/"My Shining Hour (with Greetje Kauffeld)"/"Blues in the Night"/"Between the Devil and the Deep Blue Sea (with Greetie Kauffeld)"/"Medley: This Time the Dream's on Me/Ill Wind"(with Greetie Kauffeld)"/"Last Night When We Were Young"/"I've Got the World on a String"/"That Old Black Magic (with Greetje Kauffeld)" – from Plays the Music of Harold Arlen (Sonorama) and also on Metro`s Midnight Music (Dutch Radio Jazz 1970-75) (Sonorama) tracks recorded from the Dutch NOS Radio Show 1970-75.
With College of the Siskiyous Choir
1980 "A Tribute to Duke (Solitude)"/"Stolen Moments" – from College of the Siskiyous Choir with Guest Artist Mark Murphy (KM)
With Jeff Hamilton Quintet
1982 "Split Season Blues" – from Indiana (Concord)
Live performance by singer Mark Murphy with the Larry Dunlap Trio at Yoshi's Nitespot in Oakland CA on 7/20/1990. Broadcast on KJAZ 9.27 FM in Alameda CA. This set was on the See's Sunday Night program, hosted by Bud Spangler. Musicians: Mark Murphy (vocals), Larry Dunlap (piano), David Belove (bass), Eddie Marshall (drums).[9]
March 1976 - Dutch Television VARA - Metro's Music – with Greetje Kauffeld (vocals), Piet Noordijk (alto saxophone), Ferdinand Povel (tenor saxophone), Ack van Rooyen (trumpet), Peter Ypma (drums), Jacques Schols (bass), Dick Schallies (piano), Metropole Orchestra, Dolf van der Linden (conductor)
1976 Mark Murphy, Greetje Kauffeld & Metropole Orchestra - Jimmy McHugh Tribute
April 4,1976 - Dutch Television VARA - Metro's Music – with Greetje Kauffeld (vocals), Piet Noordijk (alto saxophone), Ferdinand Povel (tenor saxophone), Ack van Rooyen (trumpet), Peter Ypma (drums), Jacques Schols (bass), Dick Schallies (piano), Metropole Orchestra, Dolf van der Linden (conductor)
From The Ad Lib Series, a TV series filmed in 1980 at the Charlie Chaplin Sound Stage in Hollywood and hosted by Phil Moore.
Season 1, Episode 45: Mark Murphy/Pete & Conte Condoli 1 aired in 1981
Murphy performs “You've Proven Your Point” and “Parker's Mood” backed by Bill Mays (piano), Marty Budwig (bass), Charles Harris (drums) and is interviewed by Phil Moore.
Available from ARKADIA CONCERTS.
1981 Mark Murphy: Echo - with Pete & Conte Candoli
From The Ad Lib Series, a TV series filmed in 1980 at the Charlie Chaplin Sound Stage in Hollywood and hosted by Phil Moore.
Season 1, Episode 46: Mark Murphy/Pete & Conte Condoli 2
Murphy performs “Again” and “Farmer's Market” backed by Bill Mays (piano), Marty Budwig (bass), Charles Harris (drums) and is interviewed by Phil Moore.
Available from ARKADIA CONCERTS.
2006 A Night with Mark Murphy by Brad Saville.
February 2006 performance at the Iridium Jazz Club on 51st and Broadway – with Misha Piatagorsky (piano), Hans Glavisim (bass), Gilad Dobrecky (percussion), and David Rokech (drums)
^Roberts, Sam. "Mark Murphy, an Unconventional Jazz Vocalist, Dies at 83", The New York Times, October 25, 2015. Retrieved October 26, 2015. "Mark Murphy, an iconoclastic jazz vocalist who drew inspiration from such varied sources as the sound of his hometown factory whistle and the words of the Beat novelist Jack Kerouac, died on Thursday in Englewood, N.J.... Mr. Murphy died at the Lillian Booth Actors Home, where he had been living for several years."
^Mandel, Howard (January 15, 2010). "President's Report". Jazz Journalists Association. Retrieved April 11, 2024.
