Différences entre versions de « 2017W086 »

Version du 25 février 2017 à 13:27

2017W086: La notation abrégée ISO 8601 du samedi 25 février 2017
(56ème jour de l'année du calendrier grégorien)

Saint Roméo

Quartidi

4

Frimaire

CCXXXIII

Citation

raffiner avec h-cite et tester

Modèle aphorisme du jour

« Le silence des pantoufles est toujours plus redoutable que le bruit des bottes... »

la vie de la vie (La Méthode)

Il est aussi mortel pour l'esprit d'avoir un système que de n'en point avoir. Il doit donc bien se décider à réunir les deux.<footer>
(Friedrich von Schlegel, Fragments, 1798)</footer>

musique pour funérailles

« The reason this six minutes of orchestral music reduces you is not, paradoxically, much to do with Wagner's drama: the hero, Siegfried, is a horn-blowing numbskull. As Oscar Wilde observed: "One must have a heart of stone to read the death of little Nell without laughing." This could be true here. Yet in Wagner's hands, the music is as overwhelming as one body of musicians can achieve: majestic, full of cymbal crashes and menacing Wagner "tubas". It speaks of the death of everyman: its folly, unpredictability, senselessness, magnitude, finality. » -- The Guardian - Wagner Siegfried's Funeral Music, Götterdämmerung

100DaysOfPhotos

<figure class="h-cite"><figcaption>Source Gallica Bibliothèque Nationale de France</figcaption></figure>

PhotoWalk Cimetière Montmartre - retrouver la tombe de Maxime Du Camp

(date inhumation 15 février 1894, division 17, ligne 1 - circulaire, tombe 16, n° concession : 296P1837 - source livre du cimetière)

@@ Ligne 22 : / Ligne 22 : @@
 == musique pour funérailles ==
-{{bloc citation|The reason this six minutes of orchestral music reduces you is not, paradoxically, much to do with Wagner's drama: the hero, Siegfried, is a horn-blowing numbskull. As Oscar Wilde observed: "One must have a heart of stone to read the death of little Nell without laughing." This could be true here. Yet in Wagner's hands, the music is as overwhelming as one body of musicians can achieve: majestic, full of cymbal crashes and menacing Wagner "tubas". It speaks of the death of everyman: its folly, unpredictability, senselessness, magnitude, finality.|[[The Guardian]]|Wagner Siegfried's Funeral Music, Götterdämmerung}}
+{{citation|
+The reason this six minutes of orchestral music reduces you is not, paradoxically, much to do with Wagner's drama: the hero, Siegfried, is a horn-blowing numbskull. As Oscar Wilde observed: "One must have a heart of stone to read the death of little Nell without laughing." This could be true here. Yet in Wagner's hands, the music is as overwhelming as one body of musicians can achieve: majestic, full of cymbal crashes and menacing Wagner "tubas". It speaks of the death of everyman: its folly, unpredictability, senselessness, magnitude, finality.}} -- [[The Guardian]] - Wagner Siegfried's Funeral Music, Götterdämmerung
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